Purity in Iranian Translucent Pink Onyx

The New Gallery — Palazzo Mansi, Lucca

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2012

 Purity in Iranian Translucent Pink Onyx

The New Gallery — Palazzo Mansi, Lucca

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2012

Purity in Iranian Translucent Pink Onyx

The New Gallery — Palazzo Mansi, Lucca

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2012

Purity in Iranian Translucent Pink Onyx

The New Gallery — Palazzo Mansi, Lucca

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply rag board interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2012

Pseudogroup of Giuseppe Panza in Macedonian White Marble

The Grand Staircase (Landing) — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 15-3/8 x 23-1/8 inches (39.1 x 58.8 centimeters)

2011

Dual-Portrait of Jeanne Greenberg Rohatyn in Belgian Black Marble

The Nuptial Allegory Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 15-3/8 x 23-1/8 inches (39.1 x 58.8 centimeters)

2011

Portraits of Lucas Michael and Laura Mattioli in Bolivian Sodalite

The Pastel Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2011

Impaled Stretched Portrait of Lucas Michael in Pakistani Onyx

The Tapestry Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (39.1 x 58.8 centimeters)

2011

Envy and Purity in Utah Golden Honeycomb Calcite

The Throne Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 15-3/8 x 23-1/8 inches (39.1 x 58.8 centimeters)

2011

Sleeping Hermaphrodite in Belgian Black Marble

The Brustolon Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2011

Stretched Portrait of Jon Kessler with “Baroque” Relief

in Italian Fantastico Marble

The Stucco Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 15-3/8 x 23-1/8 inches (39.1 x 58.8 centimeters)

2011

Scholars’ Rock in Mexican (Baja California) Translucent Onyx

The Green Lacquer Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 15-3/8 x 23-1/8 inches (39.1 x 58.8 centimeters)

2011

Stretched Scholars’ Rock

in Two Varieties of Mexican (Baja California) Translucent Onyx

The Green Lacquer Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 15-3/8 x 23-1/8 inches (39.1 x 58.8 centimeters)

2011

Portrait of Jeanne Greenberg Rohatyn

in Utah Golden Honeycomb Calcite

The Longhi Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2011

Purity in Iranian Translucent White Onyx

Antonio Corradini’s La Purità (Dama Velata) in Italian White Marble

The Parlor Room — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 15-3/8 x 23-1/8 inches (39.1 x 58.8 centimeters)

2011

Matthew McCaslin Homunculus

in Mexican (Puebla) Translucent Green Onyx

The “Ai Do San Marchi” Pharmacy — Ca’ Rezzonico, Venice

Manipulated Digital Photograph

Epson Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on aluminum with 1-ply ragboard interlayer

Edition: 15 + 3 A/P

Print: 23-1/8 x 15-3/8 inches (58.8 x 39.1 centimeters)

2011

Barry X Ball / Matthew Barney Dual-Portrait Installation.

a flayed, javelin-impaled, cable-delineated-pendentive-funnel-suspended, squid-like,

priapic / labio-vulval, Janusian meta-portrait lozenge of the artist, screaming, and

Matthew Barney, stoically becalmed, richly embossed, in a manner reminiscent of late-Renaissance Milanese parade armor,with a cornucopia of silhouetted motifs: Abrahamic ecclesiastical symbols, animals, decorative flourishes, and protuberant, warty, half-spheres, in variegated, exuberantly-colored, fractal-patterned, striped, spotted, semi-translucent, onyx from Baja California, with differing surface treatments keyed to the corresponding swag-draped corporeal flay strata: a glistening mucosal sheen for the splayed entrails, miniscule horizontal

flutes for the mid-level viscera, and gnarled, ridged, sfumato-esque soft-focus

ornamental relief for the epidermis, with eyes and oral features gleaming, respectively, with a moist, lachrymal / salivary polish, with a mannered, attenuated, crown-like cranium-top shatter-burst exit-wound

Mexican onyx, stainless steel, 24K gold, various other metals

stone / shaft assembly: 55 x 5-1/4 x 8 inches

(139.7 x 13.3 x 20.3 centimeters)

stone figure: 22 x 5-1/4 x 8 inches

(55.9 x 13.3 x 20.3 centimeters)

2007

a meta-portrait pairing of the artist, screaming, and Matthew Barney, stoically becalmed,both richly embossed, in a manner reminiscent of late-Renaissance Milanese parade armor,with a cornucopia of silhouetted motifs and protuberant, warty, half-spheres

Espon Stylus Pro 3880 archival inkjet print

on Slickrock Metallic Pearl 260 paper

mounted on ragboard

Edition: 15 + 3 A/P

Print: 13-7/8 x 23-1/8 inches (35.2 x 58.7 centimeters)

2000